The first two films in Nolan’s Batman trilogy were bizarre, dark, and fun. We got to see some interesting villains, some fantastic set-design, some exciting fight sequences, some compelling storytelling, and some fascinating ideas.

Why would someone dress as a bat, and beat up street thugs? What kind of training would he need? What kind of equipment would he need? How could he do it?

These are all easily addressed in the films. And thanks to Nolan’s commitment to realism, the entire idea of Batman seems much more plausible, and in turn, much more compelling.

Sadly, by the time the third film rolled around, it seems the well ran dry for interesting villains, fantastic set-design, exciting fight sequences, compelling storytelling, and fascinating ideas. Because while the third film does maintain the realism, themes, and characters of its predecessors. It’s boring as hell. Continue reading →