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So TRON was a film about the experiences of a man converted into digital data. It was a surreal fever dream that was fantastic and beautiful.

TRON 2.0 expanded the universe as far as it could when a new character found himself digitized the same way. Similarly themed, it gave the player the opportunity to explore a much larger world than was seen in the original film.

Then, TRON: Legacy rebooted the franchise, transforming it into a Flash Gordon knock-off with all sign of digitality stripped away. But it had enough charm, and added enough new quirks to the mythology to make up for it.

This new mythology has a lot of potential, despite the potential it could have had, if they stuck with the mythology established in TRON 2.0.

Regardless, it’s a story, and a moderately interesting one at that. Kevin Flynn creates a world to experiment with… stuff… in an accelerated digital environment. He made a major discovery, digital lifeforms with free will called ISOs. Then it all turned on him when his own creation wiped out his greatest discovery, and held him captive for a thousand cycles/years.

Oh, by the way, spoilers.

It had a lot of potential and it raised a lot of questions. For instance, when Kevin realized Clu didn’t like the ISOs, why didn’t he decide to reprogram his system administrator to ignore the ‘perfection’ goal, so he’d stop acting like the motherfucking Borg!?

As far as I know, that question was never answered. In fact, very few questions were answered when the opportunity presented itself. When the story of Clu’s coup, and subsequent campaign of genocide against the ISOs was told, in the TRON: Legacy tie-in game, TRON: Evolution. And man, does it suck. Continue reading

You Think About All The Friends That You Hate To Leave

This past Friday, I made my final decision: In four months I’m leaving my hometown of Sudbury, Ontario and moving to Oshawa, Ontario to attend Durham College for their Computer Programmer Analyst Program. It’s a three-year program which is a huge commitment, especially for someone as old as me. But I’m excited, it’s a new era for me, as I finally get the chance to start life anew. After all, Journalism didn’t do anything for me. Maybe entering the tech industry will change things.

It’s also exciting because I have to admit, I don’t actually like this town. Nothing ever happens and the majority of the population is paste-eatingly stupid. So that’s two strikes against it. And really, I have nothing holding me here. No reason to stay. Some may mention my family, but as I’ve said before, I don’t actually like my family. So that doesn’t help.

Plus, the move is a chance to reset, and finally get rid of all the crap I’ve been accumulating after all these years.

It is an opportunity, and one I shall not miss.

And one other thing: I don’t think I’m ever coming back. I have no reason to, as I’ve already stated.

Oh, sure, I have friends, who I like, and will miss. But sadly, I’m not particularly close to any of them. We rarely spend any time together. So they don’t hold me back as much as one might think.

It’s actually kinda sad when you think about it. I first met these guys back in October. And ten months later, I may never see them again, unless we plan to meet up at the next Anime Convention. Let’s hope that happens.

But yeah, I’m leaving everything behind. And that’s why the first season finale of Littlest Pet Shop is one of the few episodes I could empathise with. Continue reading

Closed Logic

What I love the most about TRON and TRON 2.0, is the feel of it: Surreal and fantastic.

It’s a world where anything is possible, where information is free, and where one’s very nature can be altered on a whim.

It’s not grounded in the logic we know. It’s a purely fictional world. Every element is distinct from reality.

Even something as simple as a city street can be bizarrely surreal.

There’s also the bright colour scheme, with flat colours maintaining the world’s artificial feel.

It’s a fantastic look, and a fantastic world. So how can someone fuck that up?

Well, by changing the look to reflect reality, and reducing the colour scheme to black, black, more black, off-black and the occasional neon light.

This is TRON: Legacy, where the TRON franchise went to die. Continue reading

Littlest Kleptomaniacs

Littlest Pet Shop is a strange show.

Our heroes are pets who live in a pet store, plus one human with Doctor Doolittle powers. Backing them up is an eccentric cast of mental patients, and an occasional random animal whom we never see again.

I still don’t get why Sugar Sprinkles went walkabout after her appearance, but Butterscotch kept coming back even though I want her to die.

I also don’t know why so many other animals visit once and are never heard from again. Like Gail, Zoe’s sister, who would have had every reason to make return appearances. In fact, I don’t know why Zoe visits the shop, but her sister doesn’t. Let me guess: Gail has a day job. She works retail.

But this week, we introduce another animal guest star. And this time, there a reason we’ll never see him again. Everyone hates him. Continue reading

Back to Digital

TRON was a revolutionary film for its time. One of the first films to use CGI, and it was actually the theme of the film. Which was pretty daring back in 1982.

A science fiction film through and through it managed to scare off some people. Something I don’t fully understand.

TRON was a box office bomb which I find wholly disappointing, and so did many others.

The late Roger Ebert raved about the original, giving it a rare perfect score, despite, and possibly because of, its lack of human characters. He also thought of it as a highly underrated film, featuring it on his show, Siskel and Ebert and the Movies, a decade later; And closing his first ever Overlooked Film Festival with a screening of it in 1999.

And if Roger Ebert loved TRON, who the fuck are you to argue!?

But over the next several years it went on to earn back double its initial budget. Eventually justifying the release of a sequel. Several sequels as a matter of fact. And how do they stack up?

Sigh… Where to begin?

Why not start with the first attempt? In 2003, twenty-one years after the release of the first film, the first sequel to TRON saw the light of day. And it was appropriately titled: TRON 2.0.

It was a fantastic follow-up to the first film, primarily because it wasn’t a film, but a game. Continue reading

Egos, Lies and Dismemberment

Friendship is not easy. Sometimes personalities clash, and tempers flare. Differing political opinions, religious views, and even something as mundane as one’s mood can cause a friendship to break apart.

Sometimes, this can also happen between people who are too alike. People whose egos are the size of planets, because generally, you can only have one alpha per group.

I’ve seen this happen a lot. And before you start making unfounded accusations; Yes, I was generally one of the egos. It’s something I’m working on.

But the collapse of a friendship can happen before you even realize it. Suddenly you say one wrong thing, they react, then you react, then suddenly you hate each other, and you think: “How did that happen, oh wait.”

It doesn’t ever feel good to lose a friend. Never. It feels even worse when you know for a fact that you’re in the wrong. So you stop, and do what you might be afraid to do: Apologize.

Some see it as a sign of weakness, especially American politicians. I don’t see how, but that’s how they see it.

I don’t agree. I just see it as something you do when you’re in the wrong. It can clear the air, and make everything better. It may not accomplish anything, and you might not get anything out of it, but that’s how the world works. You don’t get an award for doing the right thing.

But why do so many people take so long to admit they’re wrong? Egos, typically. And this week on Littlest Pet Shop, two of the show’s biggest egos go head-to-head and try to out-Pinkie-Pie one another. Forgetting why they’re doing it. Continue reading

Best Frienemies

There’s a crucial difference between an adversary and a friend. Friends have a tendency to help you in any situation, regardless of how it might affect them.

Adversaries do the exact opposite.

How the hell could these lines blur?

Well, sometimes perception is everything. You may think someone is being mean or animus, or that they’re out to get you. When they may be the closest ally you will ever have.

In my personal experience, this has happened many times. Not just on the internet, as I’ve explained before, but in real life as well.

Once I had the unfortunate experience of having a prick as a roommate; he was a violent, arrogant, moronic bigot. I mentioned him before, and he’s since gotten his ass evicted by refusing to talk it out with the landlord. When the landlord asked to speak with him, he said he’d rather rest up for partying later that night.

I’m not sorry to see him go, but there is one thing to note: I actually tried to get along with him. I tried to help him. I didn’t want to see him evicted and I didn’t try to get him evicted. That was what everyone else did.

I was probably the closest thing he had to an ally in the entire building. But for some reason, he thought I was out to get him. He saw me as an enemy. And I had every reason to hate this guy, but I don’t hate. Pretty much as a rule, I don’t hate. I’d be a right ass if I did.

Maybe I need to pick a more a more universal analogy… The second half of Portal 2. Hey, that’s actually apt in several ways. Props to Jonathan Coulton for doing the impossible and writing an even better finale song than Still Alive.

Though I’m sure not everyone has played Portal 2. There must be another! AH! Littlest Pet Shop! Continue reading

Inside the Computer

To many, computers are an enigma.

The average computer user doesn’t understand the first thing about what goes on behind the screen.

They know how to do what they need to do. They know how to play games, browse the web, check email, use a word processor; but everything else is a mystery. And if something goes wrong, or things get complicated, they wouldn’t even know where to start. In those cases, they might call their friend or acquaintance who once used the word ‘processor’ and ask them for help.

It’s much like my relationship with cars. And as one of those ‘processor’ people, I should tell you, it can get annoying. Especially when you’re asked to do mundane stuff that a trained monkey could pull off.

However, these days, if you don’t use a computer, you’re either Amish or trapped in an underground cave. So people do have a general idea of what they do. But back in the 80s, this was not the case.

Most people didn’t use them at all, or at least, they didn’t recognize them as computers. The closest the average person might get to an electronic computer system was in an arcade, or through the Atari 2600, if they were lucky and rich.

Even their use in business was extremely rare. They were a brand new technology, that not everyone saw the purpose of, or potential in. Even the idea of a computer as a consumer device was received with skepticism, since few understood what a computer could actually do.

It was mysterious, and confusing; and as always, such mystery and confusion allows science fiction writers to do what they do best: make stuff up, and not get questioned on it.

You all remember the series, Reboot? Canadian-made by the way. It starred Bob, a sprite in the city of Mainframe, and his friends, Dot and Enzo. Ostensibly, Mainframe was actually the hard drive of a computer system, or something. Our characters were essentially packets of data… I think. It’s actually a little confusing at times, but the show was generally entertaining, and the computer nerds had a laugh with all the puns and inside jokes.

The series sort of took a turn for the dark in season three, which I kinda liked. But in season four, it just got weird. And there was never any need for Dot and Bob to get married, especially since they never actually dated or anything before then.

But, that was the 90s. We’re talking about the 80s, when this idea, of a story starring characters that were merely several ones and zeros strung together, first got traction.

It all started, with TRON. Continue reading

False Love

‘Why?’ is a simple question that people don’t ask often enough.

Why spend $10 on a movie ticket? Why take a trip to New York? Why write? Why work in retail? Why go to college?

Some of those questions might have legitimate or obvious answers. Then there are questions like this:

Why enter your pet in a dog show?

The typical answer to this might be: Because they love it! Because they have fun!

But, that would be an outright lie. Typically at a dog or cat show, the animals spend half their time trapped in steel cages, and the other half being examined like a piece of meat. The only fun they might have is the time they spend with you, which means the animal would have more fun at a park, or at home.

No, the real reason to enter your animal in a dog or cat show is for your own self-gratification. To win a prize and make your pointless and shallow life feel a bit more fulfilling. It’s the same reason one would write a blog where they insult people and put them down for no real reason. To make themselves feel big.

Wait…

Anyway, I have a hard time believing any animal enjoys those kinds of competitions. So it’s all for the owners, to socialize and shop for stuff they claim is for their pets but is really bought so they can show off.

It’s lies like these that piss me off. How many parents enter their children in talent shows and schedule showbiz auditions? Often, it’s not because the kids like it, but because the parent wanted to be in showbiz, so they try to live vicariously though their children.

Admittingly, I’m probably also gonna do that when I have kids.

Yes, it’s all about the adults, the owners, and the people who sit in the background. But they lie, to the world, and I assume themselves.

Which eloquently leads me into this week’s episode of Littlest Pet Shop. We all remember that Zoe is the diva right? Continue reading

Let’s Prey

The first person shooter is a classic genre. One that holds a special place in my heart.

The reason for this is simple. They feel more realistic than most other genres. After all, if you’re supposed to be the player-character, why are you constantly looking at yourself in profile, or at the back of your own head? We see things in first person in the real world, we should see things the same way in games.

Okay, some may argue that your field of vision in real life is a lot bigger than it is in the average FPS. But I really don’t give a shit.

This love goes back quite a bit. I remember playing the original Doom when I was a little kid. Only the first episode though because paying for that stuff was not easy. We didn’t have gaming stores back in the day. We had the shareware bin at Zellers, which had dozens of different games for a dollar each, but that was it. They actually should have been free, but you still had to pay for the media and distribution costs. Remember, this was the pre-internet days. Higgs, I’m old!

There was also the small computer stores which did repairs and sold accessories and software. But not a lot of games.

Anyway, back then first person shooters were simple. There really was no up or down, according to the game engine, and the entire game could be controlled through the keyboard using only six or seven buttons. At least until Quake, which introduced the Z-axis and revolutionized gaming. Now we needed the ability to easily look up or down. Enter mouselook, which allowed us to seamlessly aim and shoot with one hand, while controlling movement with the other.

Since then, controls for these games have evolved even further. Now, first-person shooters are ubiquitous on gaming consoles, which required a simplification of controls, and in my mind, has made them unplayable.

Recently, I was at a friend’s house with my fellow local bronies. We watched the (at the time) recently released brony documentary, during which I screamed “FUCK YOU!” at the Fox News cunts. Then we watched a few episodes of our favourite show, before switching on the Playstation 3 to play some PlayStation All-Stars Battle Royale, a game which I found to be incredibly broken.

After most of the gang left, the rest of us played some Call of Duty 9: Black Ops II, and I quickly found that I couldn’t play it. I’m pretty good at first person shooters, but here, I couldn’t aim at all. I don’t just mean, I couldn’t aim accurately, I mean I literally could not control the camera. I just couldn’t. I would overshoot my target way too easily and end up spinning in a circle. I even had some directional confusion. Sometimes I got the target on screen, but then accuracy became the obvious issue and my friends are sadistic. But I love them.

Glad to get that off my chest. So yeah, console controls for FPSes suck. But on the PC, thanks to the mouse, they still work like a clock. Even a touchpad works wonders, which is why I’m sure many people will find great use for the touchpad on the upcoming PS4 controller. Though it’s not exactly ideally positioned.

Anyway, there’s one thing I’ve noticed about a lot of first person shooters. If they are not dealing with an international war, either World War II or something modern, they’re dealing with an alien invasion.

I guess it’s an easy plot-device. You can use it as an excuse to introduce really cool and exotic weapons, and have your player-characters slaughter thousands of bad guys without making them feel guilty afterwards.

But still, it’s overused. Can’t we change it up? What if our player-character had hitherto unknown superpowers that one can use in combat, and for puzzle solving? And what if these superpowers originated from some real-world mythology, and played into the game’s overall backstory!?

Ladies and gentlemen, allow me to introduce you to a grossly underrated game: Prey. Continue reading

A Character-Development Walk

The reason I love Littlest Pet Shop is the same reason I love My Little Pony. The episodes are well-written, the plotlines are interesting, the animation is superb, and the characters are not simply caricatures.

Unfortunately, this is less true with Littlest Pet Shop. Zoe is basically your archetypal diva, with very little deviation; Pepper generally fades into the background, which is ridiculously ironic; and Russel is just the generic smart guy of the group, Twilight Sparkle with a stick up her ass.

Then there’s Blythe, whose position as a fashion designer doesn’t really sit well with me. I mean fashion design isn’t any worse than any other career path. But it feels so shockingly generic and cliché. Especially for a female character.

That being said, I do like the characters, and the overall show. But the lack of character development cripples things somewhat.

Which leads me eloquently to this week’s episode, where the potential existed to give two major supporting characters significant development, But that potential was perplexingly and literally beheaded. Allow me to explain. Continue reading

Littlest Plotlines

It can be hard to maintain focus in a story. Especially if you have a creative mind. You can try to focus solely on one simple plot thread. But then, sometimes, a supporting character shows up; and suddenly, you get an idea for that character which you then branch out on.

Other times your simple thread might require a certain event for plot convenience. However that event, you realize, would have far-reaching repercussions outside your simple thread.

Then there are times your simple plot thread is just too short. You can’t come up with enough material within that thread to pad it out without looking stupid. So you tack on another plot thread that is only tangentially connected.

Which brings us to this week’s episode of Littlest Pet Shop, where Vinnie finds himself at the city dump, and Blythe loses her superpowers. And no, these two plot threads are not connected in any significant way. Continue reading

A Land Without Power

All modern technology is dependant on electricity. Without power, we’d have nothing.

Computers, cell phones, television, radio, all other forms of communication; lights, heating systems, stoves, water heaters, refrigerators, the municipal water service, local sanitation systems, cars, busses, traffic lights, and many more things I forgot to mention.

So much is dependant on the simple concept of electricity. What would happen if it all went away?

I know, it’s a silly question to ask. How could all electrical devices just stop working?

Well, the power could always go out. Ten years ago, that’s exactly what happened to me and millions of others living on the east coast of North America. Due to something as simple as a computer bug in the control room of a Ohioan power company. For many, it took days for the power to come back on. I didn’t mind too much. For starters, I had my laptop. But even after the battery died, I still wasn’t that bothered. I went outside and was able to experience a true rarity: Being able to see the stars late at night.

Often, when an area does lose power, likely because it was hit by a major disaster, restoring it tends to be the top priority for responders. Seems to me that food and water would be slightly higher than electricity. But what do I know? They bring guys in to fix fallen wires; repair substations and transformers; and sometimes, bring in localized generators that can power a neighbourhood, assuming they’re just cut off from the rest of the grid.

But is it really necessarily? Are we dependant on electricity? Yes. If we lost it, would people start panicking, and looting? Well, no. They didn’t during the last blackout, and I doubt they would if it happened again. Even New York was looter-free!

But let’s up the stakes. What if we didn’t just lose power from the grid? What if all electronic devices stopped working? What if even battery-powered devices failed? Cell Phones, laptops, cars, even flashlights! And what if they would never, ever, turn back on? Would our society collapse into barbarism? Hell no! Such a suggestion is ridiculous. But that’s not the suggestion made by the creators of the relatively new NBC series, Revolution. Continue reading

Party in the LPS

Some people are bothered by how materialistic our society is.

I can kinda understand. Being obsessed as some people are with acquiring more items and objects, it seem frivolous. But the way I see it, the things people buy are not simply objects, they’re something more.

Depending on the specific item, they represent joy, safety, security, self-reliance, or intellectualism. For instance, owning tools means you have the ability to fix something at a moment’s notice, on your own. It can help you become independent and reliable.

Toys can have the same impact. For me, my toy collection brings me happiness. Just looking at it, for some reason, can wipe my blues away… sometimes.

Then there are gifts. Which can represent the love one has for another. The more effort the individual puts into acquiring the gift, only to give it to someone else. It shows how much they care. The price tag is just a representation of the amount of labour one must put in to acquire it. It’s not shallow to want someone to spend a lot of money on you (okay, maybe it is a little). It’s representative of the effort they put in.

Then there are the custom-made gifts, which takes more thought and effort than anything one can pull off a shelf. And something nice, and personal, from someone who cares, can mean more to you than anything else in the world.

So what if you lost it. What if you lost something that meant a lot to you? A custom-made gift from someone you loved. How far would you go to get it back?

Well, this week on Littlest Pet Shop, we see just how far Blythe is willing to go for the same thing, when she loses a valuable necklace in some cake batter. Yes, she does work in a pet shop, and I will get to that. Continue reading

Anti-Socialization

Sometimes, people just want to be alone. Is that so hard to understand?

I know some people are under the impression that a preference for solitude must mean there’s something wrong with you. Bullshit I say! I typically like being alone because it allows me to focus on the task at hand, whether it be writing, or reading, or watching a television program.

You gotta focus, it’s the only way to get things done.

But there are other reasons to crave solitude. For instance, you may find most people irritating. That’s a very good reason. I wish I could relate, but most of the people I know I don’t find irritating. Well, some people I do find irritating, my family for instance. Which is why the latest episode of Littlest Pet Shop hit especially close to home. Continue reading

Smallest Animal Supply Boutique

So, just last week, we saw the season finale of My Little Pony: Friendship is Magic. A show that has had more ups and downs than a possessed elevator.

The show shocked me to no end when I first saw it. It’s a program about magical technicolour horses, and is directed and marketed toward eight year old girls. Yet, even a grown man as cynical as myself can enjoy it. The well-developed characters and compelling plot lines had me coming back every week.

Of course people can argue why the show has such a following. But in the end it’s very difficult to come up with a singular reason. I just love the show, I can’t really explain why. There are times I love it because of the visual gags that remind me of the classic Looney Tunes I used to watch as a kid. There are times I love it because a character manages to prove exactly how awesome she is, sometimes at the eleventh hour, when it matters the most. There are the intense and dramatic plot lines. There are the compelling characters. There is the clean visual style. To pick just one reason would be next to impossible, and in the end it doesn’t matter. The show’s entertaining, and that’s all there is to it.

I got into the series in spite of my preconceived notions, and I’m glad I did. But of course the question remains: Can I bypass my preconceived notions again? Can I allow myself the opportunity to enjoy another show that I otherwise would not have given the time of day? Can I enjoy another thinly veiled toy-marketing program directed at eight-year-old girls? Or is this something that I’ll only allow from My Little Pony?

Well, the answer to that is, ‘yes,’ ‘yes,’ ‘yes,’ and ‘no.’ I can bypass my preconceived notions, and earlier this week, I did. For you see there’s another Hasbro property that’s been recently rebooted in cartoon form. Not about magical ponies, but a random assortment of animals. Allow me to tell you about the new series of Littlest Pet Shop.

Littlest Pet Shop

Oh, and just a quick preview: It’s good. Continue reading

Unicorn’s End

…I am not happy.

I am not thrilled, or amused in the slightest.

I think the only word I could use to describe my current outlook is: disappointment.

But I’m getting ahead of myself. Today was the day the bronies have been waiting for. For something I already commented on a few weeks ago. Today was the third season finale of My Little Pony: Friendship is Magic, where Twilight Sparkle evolves into Princess Twilight Sparkle, after her friends use the Harmony Stone on her.

Honestly, I was kinda looking forward to this, because given the summary we were treated to, it seemed interesting. The whole ‘switching cutie mark’ thing felt like it would go in an interesting direction. And… well… It did, but in a way that made me very angry.

This is gonna take a while to explain. Continue reading

Olympic-Sized Fuck-up

One of the things I love about My Little Pony is the world building. There’s a lot to the land of Equestria. The locations, the mythology, and the political systems feel quite fleshed out and developed. So much so that Hasbro actually released a full map of Equestria. A map that’s full of inconsistencies.

Map of Equestria

I bring this up because the fact that it can be full of inconsistencies just proves my point. Equestria has been so fleshed out that we all have a pretty common and complete vision of how the land of Equestria is structured, headcanon notwithstanding. And almost every episode has only made it fuller.

…at least, it did in the first two seasons.

For season three, the world building simply hasn’t been as interesting or well done. It’s still there, but it feels half-assed. For starters, there was The Crystal Empire, which was probably the most boring episode, featuring the most boring villain in the entire series: Sombra. It just felt like it’s been done before, especially the ending, where the big challenge for Twilight was: walk down a bunch of stairs, then walk up even more stairs. That’s right, when I think pulse-pumping action, I think stairs. No deceptive puzzles, no complex moral tests, just stairs.

For the rest of the series, we got no major extension to the land of Equestria. Or at least none that were interesting.

Okay, that’s not entirely true. We learned that Princess Luna is Dom Cobb, and that there’s a nation called Saddle Arabia, which is cool, I guess.

But at least none of the world building has been bad this season, just boring. If nothing else, boring is better than bad or contradictory or completely ridiculous, which they’ve thankfully avoided this season… UNTIL NOW!!! Continue reading

Which Reality is Real

A while back I wrote about Inception, a film that featured Leonardo DiCaprio as a thief who specialized in stealing secrets directly from someone’s mind using shared dreaming technology. It still remains one of my favourite movies of all time. But one thing I only briefly mentioned was the idea proposed in the film that it’s easy to lose your sense of reality in the dream world.

It’s an interesting and scary idea. What if you’re dreaming and don’t know it? What if I’m dreaming and don’t know it? Am I really typing away on a keyboard communicating with the world or am I sleeping, in my bed, maybe hooked up to some machine that stimulates a part of my brain, generating hyper-realistic dreams? Well, if that’s true, you’d think I’d dream up a better house.

How do we know we’re awake? I hear one way to tell is to try to keep an eye on space, because dreaming bypasses spacial awareness. But that might not be 100% reliable. I’ve also noticed that, whenever I dream, the colour schemes are simple and bright. An entire room of bright red, or bright blue, which is something you never really see in real life. But that might not be the same for everyone.

So I guess the real answer is: we don’t. We don’t know if we’re awake or asleep. But let’s try to make the best of what we have regardless, because the idea that we live in a simulation is highly unlikely, and honestly, not worth losing sleep over.

Oh, wait… I just made a joke and didn’t notice.

Anyway, nonetheless, some people have lost sleep over it, and Higgs bless ‘em, because as a result, we’ve gotten some great works of fiction out of it. There was The Invisables, The Matrix, Vanilla Sky, The Truman Show (in a way), and Total Recall. Even an episode of Stargate SG-1, and two episodes of Doctor Who have dealt with this theme. Is the world we live in real?

The most interesting one is the Doctor Who episode where Amy, Rory, and Eleven are all trapped in the TARDIS, as it hurtles toward a ‘cold star’, while falling asleep at random intervals, dreaming they are back on earth, being chased by aliens…or they are back on earth, being chased by aliens, while falling asleep at random intervals, dreaming they are trapped in the TARDIS, as it hurtles toward a ‘cold star’.

The question they have to answer is simple: Which dream is just a dream, and which one is reality? It forms the basis for the entire episode, as the Doctor argues for the TARDIS reality, and Rory argues for the Leadworth reality, and Amy has to make the tie-breaking decision. Great episode. But what if this same idea wasn’t restricted to a single, 45 minute episode of Doctor Who? What if someone managed to create an entire series based around this simple idea: the idea of not being able to tell the difference between a dream, and reality. Well…someone has. Continue reading

Batman Retires

The first two films in Nolan’s Batman trilogy were bizarre, dark, and fun. We got to see some interesting villains, some fantastic set-design, some exciting fight sequences, some compelling storytelling, and some fascinating ideas.

Why would someone dress as a bat, and beat up street thugs? What kind of training would he need? What kind of equipment would he need? How could he do it?

These are all easily addressed in the films. And thanks to Nolan’s commitment to realism, the entire idea of Batman seems much more plausible, and in turn, much more compelling.

Sadly, by the time the third film rolled around, it seems the well ran dry for interesting villains, fantastic set-design, exciting fight sequences, compelling storytelling, and fascinating ideas. Because while the third film does maintain the realism, themes, and characters of its predecessors. It’s boring as hell. Continue reading

Batman Resurges

Batman, as a concept, isn’t very realistic. But in 2005, Christopher Nolan tried to change that with Batman Begins. He gave the character a logical origin story, and even explained where all of his gear comes from. A man, trained in ninjutsu, inspired by the death of his parents, and with billions of dollars at his disposal, takes down criminals with a persona mirroring his greatest fear: Bats.

It’s a little ridiculous, granted. But it’s a nice attempt. And while the whole thing seems unlikely, it’s also plausible.

The first film had a bit of a sci-fi element, with the introduction of the Fear Gas, and some of Batman’s gear. I’m pretty sure memory cloth doesn’t actually exist. But nonetheless these elements didn’t seem too ridiculous, or too far outside the realm of possibility. Unlike the Burton series, with the magic automated homing Batarang.

Okay, now you're just fucking with us.

In fact, you know what this reminds me of? James Bond. Now, I’ll admit I haven’t seen every film, because… fuck that. But every film I saw always had the scene in the MI-6 headquarters, where Q introduces 007 to all his gadgets. These were always great scenes. He not only introduces all the gadgets and show what they do, but often explains how they work. Like the invisible car; it has a camera on one side, and the image is projected on the other. It’s pretty cool, even though we actually know that it wouldn’t work since people have tried that and it didn’t. But it’s still pretty cool.

Anyway, in the new Batman films, Morgan Freeman is basically Batman’s Q. And that’s the greatest thing about these films; The fact that even though the gadgets are a bit fantastic, they still feel real, or at least on the cutting-edge. And it’s all thanks to Morgan Freeman, as he gives James Bat his load out. Only instead of a BMW, he gets a tank.

The sci-fi elements in Batman Begins even carried over into the design of Gotham city. Specifically, the designs of the Narrows, the monorail, and Wayne Tower.

I touched on this last time.

They make me think of the classic German expressionist film, Metropolis. (Admittedly, I still have to see that film.) It gives a bit of a how-the-past-thought-the-future-would-look feel. But this film takes place in the present day (I think), and we don’t design buildings like that. Though I wish we did.

Nonetheless, as amazing as the designs are in Batman Begins. For the sequel, Christopher Nolan decided to scrap all of that. Wayne Tower is redesigned into a generic skyscraper, and the monorail is gone. And I think, because of this, the first film had a much better aesthetic. However, that doesn’t really matter, because the second film had a much better everything else. Continue reading

Batman Reboots

The biggest, and most interesting thing about Batman is that despite his ‘superhero’ label; he has no superpowers. He’s just a guy with a lot of gear, fighting criminals. Because of this, he is also one of the most iconic superheroes in history.

I’ve talked about his history before. How his properties have fluctuated in tone, between comic and cheesy, to dark and bitter, and how I approve of both. However, it seems Batman’s most popular portrayals have taken the latter tone over the former.

For some bizarre reason, people, particularly Batman’s most vocal fans, have this knee-jerk desire to insist that Batman be taken seriously. See, they’re forgetting that he’s a superhero, a fantasy character. His closest allies include an Amazon with magical powers, an invincible alien with super strength and x-ray vision, and a fighter pilot with a ring that can conjure any object he wants. His most prevalent enemies include a woman who’s half plant, a seven-hundred-year-old immortal, and a man who can only survive at sub-zero temperatures. Yes, this is a franchise that is begging to be taken seriously.

The first four Batman films did fluctuate in tone, but even the dark and ‘serious’ ones floated on the border near fantasy and absurdity. After all, we have Catwoman coming back from the dead, and the Joker managing to create a toxin that makes people laugh to death.

Anyone who tries to take Batman seriously is obviously fighting a losing battle. Or at least they were, until 2005, when the Batman film franchise was given a fresh coat of paint under the direction of legendary filmmaker, Christopher Nolan. But this time, things were different. This time, Nolan got the franchise to strive for realism… and oddly enough, it worked. Continue reading

Adventures in Pet Sitting

I think Spike may be my favourite character on My Little Pony: Friendship is Magic.

Recent episodes aside, he’s shown himself to be reliable and trustworthy. If a little oblivious. He cares for those around him, and is always willing to help.

But of course he’s still a dragon, which comes with its own problems. Dragon instincts don’t fly well with the society in which Spike currently resides. Immense greed, an overzealous rigidity to a moral code, and a single-minded hunger for gems can cause quite a bit of conflict when surrounded by those who don’t have the same mentality.

What is a dragon to do?

Well, you try to get by the best you can. But obviously it’s not easy to go against your instincts and basic nature… though it would be nice if he actually tried. I bring this up because on this week’s episode, he doesn’t… at all. Continue reading

Reforming Chaos

Ideally, the primary purpose of prison is to rehabilitate and reform criminals so they can one day reenter society. Or at least, that’s the idea. Unfortunately, it doesn’t always work out. Often, criminals are released, only to re-offend, somewhere down the line. Even if they seem to have turned over a new leaf.

It’s a sad fact of the criminal justice system. That sometimes, despite our best efforts, some people just can’t be rehabilitated. But that doesn’t mean we shouldn’t try. There’s always a chance that even the most hardened criminals can learn how to behave in the outside world. They can learn that it’s wrong to rob, rape and kill. And this week on My Little Pony, Princess Celestia relies on that idea when she releases Discord from his stone prison. Continue reading